Saturday, April 12, 2003
Roger Ebert not impressed by Abbas Kiarostami.
Anyone could make a movie like "Ten." Two digital cameras, a car and your actors, and off you go. Of course much would depend on the actors, what they said, and who they were playing (the little actor playing Amin is awesomely self-confident and articulate on the screen, and effortlessly obnoxious). But if this approach were used for a film shot in Europe or America, would it be accepted as an entry at Cannes?
I argue that it would not. Part of Kiarostami's appeal is that he is Iranian, a country whose films it is somewhat daring to praise. Partly, too, he has a lot of critics invested in his cause, and they do the heavy lifting. The fatal flaw in his approach is that no ordinary moviegoer, whether Iranian or American, can be expected to relate to his films. They exist for film festivals, film critics and film classes.